Femeia este viitorul cinematografului
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"Portrete de femei" se numeste festivalul filmelor europene programate in sala Elvira Popescu intre 8-19 martie, cu prilejul Zilei internationale a femeii. Cu cateva mici exceptii nesemnificative daca
"Portrete de femei" se numeste festivalul filmelor europene programate in sala Elvira Popescu intre 8-19 martie, cu prilejul Zilei internationale a femeii. Cu cateva mici exceptii nesemnificative daca le raportam la densitatea selectiei, 11 lungmetraje si 6 documentare - semnatura apartine unor cineaste. Daca numele unor creatoare precum Marta Meszaros (Ungaria), Doris Dorie (Germania), Irena Pavlaskova (Republica Ceha) sunt cunoscute mai de mult cinefililor, nucleul puternic al recentelor productii franceze va largi orizontul spectatorilor. Mai mult decat oricand, in ultimii cativa ani s-a impus o noua promotie de autoare - unele, selectionate la mari festi-competitii - cu o determinare ce ne aminteste ca prima cineasta din lume, Alice Guy, venea din Franta. Solveig Anspach, Laetitia Masson, Brigitte Rouan, Marion Vernoux investigheaza parcursul unor tinere prin hatisurile lumii contemporane, cu dramele, ispitele, esecurile, bucuriile ce insotesc orice drum. Mai provocatoare, precum "Post-coitum, animal triste" sau mai pudice, asa cum este emotionantul "Haut les coeurs" (Fruntea sus) - istoria luptei unei femei atinse de cancer pentru a-si pastra copilul, pline de intrebari ca "Love Me" sau "Rien a faire" (Nimic de facut), toate aceste filme au oferit roluri generoase unor actrite ale noii generatii, Karin Viard, Sandrine Kiberlain, Valeria Bruni-Tedeschi. Semnalam in mod deosebit, din ciclul documentarelor, un portret, cel al scriitoarei Simone de Beauvoir, "cea care a reprezentat, prin excelenta, libertatea feminina", realizat de Valerie Stroh.
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